Susannah Fielding is wrestling with a rusty bike lock. Wearing gold hoops and a pink fluffy jumper, her brows firmly knitted in concentration, she is disarmingly at odds with the immaculate professionalism she maintains in the spoof magazine show, This Time with Alan Partridge.
Oh, hi! she calls out, a little startled, as I approach. Ive just resuscitated my bike after winter and the tyres flat and the locks not working. Im thinking, Cmon Suze, Ive got to bite the bullet, pay the 20 quid and get a new one.
In This Time a One-Show-style parody, relentless in both its sheer awkwardness and its genius Fielding plays Jennie Gresham, who co-hosts the show with Steve Coogans lovable liability Alan Partridge. While Partridge staggers his way through interviews with about as much tact as Prince Philip, consistently striking the wrong tone and desperately trying to arrange his face into the right expression, Gresham tries to keep the programme from imploding. She steals his jokes, striding from topic to topic as she plasters on a strained smile. Fielding is excruciatingly convincing in the role, caked in eyeshadow and sporting a perfect blow-dry. With every slight widening of the eyes and tilt of the head, her feelings towards Partridge are made abundantly clear. Her relief every time she says, And thats all we have time for today… is palpable.
Its impossible to watch them without thinking of Piers Morgan and Susanna Reid. Morgan thought the same. Very sad news about the new Alan Partridge show, which obviously mocks me and Susanna, he complained on Good Morning Britain when the first series aired in 2019, adding that it was utterly unwatchable. He predicted it would be pulled off air after three weeks. It wasnt. Now its back for a second series on BBC One. Morgan, meanwhile, has since left GMB in a blaze of controversy.
Susanna Reid is a masterful presenter whos worked alongside Piers in an admirable way thats what Id call it, says the 35-year-old Fielding, once weve settled at a picnic table in Dulwich Park, near where she lives with her partner. Shes very clever, in a way Ive tried to portray Jennie as being clever, in that sometimes you dont need to say anything at all for somebody else to show themselves up. You can just use a look. Susanna has that in her arsenal. There are definitely similarities between those duos but Alan has a slightly softer heart at the centre of it all, from what I can tell.
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Fielding hasnt met Morgan, but she was disgusted by a segment he did on GMB about women growing out their body hair. Its awful, she says. Susanna is saying, I think its a brilliant thing to do, and Piers is being typically disparaging. He starts asking her if she grows her body hair, going, Why wont you say? Its really uncomfortable viewing. I just dont think that would happen the other way around, with something personal about a mans body. It wouldnt be up for discussion. Morgans treatment of his female colleagues, she says, is quite extraordinary as a woman you have to battle quite hard to be taken seriously and not looked at just for your appearance or as a sidekick to someone. It seems like those shows are behind in that respect.
Does she think Partridge and Morgan would get along? I dont know if theres space for Alan and Piers in one room, certainly not on one sofa, she says. Although I think Id be a fantastic replacement for Piers on Good Morning Britain. Two Susannahs on one sofa sounds like a great idea. Wed have a riot.
It sounds like Partridges worst nightmare. Seen it all before, he said of Gresham in the season one finale. Its all tits and teeth. But I tell you, she would smother her own grandmother with a pillow to get on the cover of the Radio Times.
Fielding says Partridge has got a point Jennie is incredibly ambitious, but I think you have to be. The term ambitious has become a dirty word when its attributed to women and Partridge clearly feels threatened by Gresham. We do think of those sorts of women as being cold-hearted and dangerous, she says. But its no different to how a man has to behave. You have to be strong-minded. Ive had to be, to continue doing this career for as long as I have. Certainly, you dont have to smother your own granny. Its important to be generous to your contemporaries rather than trying to do other people out of jobs. But its true that women are criticised for ambition whereas men are lauded for it.
Excruciatingly convincing: Steve Coogan, Susannah Fielding and Simon Farnaby in the opening episode of the new series of This Time with Alan Partridge
Partridge co-writers, twins Neil and Rob Gibbons, admitted they didnt see the full potential in Gresham until Fielding knocked it out of the park in her audition. Before This Time, Fielding was a relative unknown, but had brought nuance and depth to many comedy characters, most notably on stage as Portia in Rupert Goolds The Merchant of Venice, for which she won the Ian Charleson award. She suggested a hinterland to [Gresham] that wasnt just someone who was an eye-roller, Neil told the Radio Times. She had the sense of someone who was a bit of an operator as well that gave us an in to have a bit more fun.
Fielding says she knew that if it was just eye-rolling, it would be boring. She watched British presenting duos Alex Jones and Matt Baker, Kirstie Allsopp and Phil Spencer, Reid and Morgan to get a sense of their dynamics, and found that tension is a surprisingly good recipe for entertainment. We seem to find that quite an enjoyable, awkward thing to watch, dont we? she says. We love these male-female duos who dont quite get on, and the will-they-wont-they, are-they-arent-they?
Fielding was determined for Gresham not to fit into the sitcom trope where the men are up to no good and the woman is the nag. Thats happening less and less, she says. In the first few years of my career, Id often be the only girl at a comedy read-through. I would almost always be playing the withering looks girlfriend. The, Oh dear, hes at it again kind of foil. And I didnt get to do many of the jokes. But with people like Phoebe Waller-Bridge and shows like This Country, where the woman is as important as the man, if not the absolute star, thats starting to shift. And I dont think Jennie would have been as big a part had we done this 10 years ago even five.
Fielding who grew up with her mother in a cultural blackspot, AKA Havant, near Chichester discovered her love for theatre when she boarded at Christs Hospital school in West Sussex and was taken to plays. From there, she attended Guildhall School of Music and Drama, where she was repeatedly cast as the clown, rather than the young ingénue that she had hoped to be. I thought I was about to be cast as Miranda in The Tempest and was all ready for my leading role, she says, but the head of voice, Patsy Rodenberg, asked me to play Trinculo instead, the uncool, bumbling fool of the piece. I was like, Are you kidding me? And she said, No, thats what youre born to do.
Funny bones: Fielding as Mrs Sullen in The Beaux Stratagem at The National in 2015
Rodenberg was onto something. Fielding would eventually play scores of comic characters from Mrs Sullen in the Nationals The Beaux Stratagem to Chloe, the one that got away, in the Channel 4 sitcom Pete versus Life. Shes played dark, dramatic roles, too in 2008, she starred as a suspected teenage killer in Wallander with Tom Hiddleston, who she dated for three years afterwards, and in 2020 she appeared in Mike Bartletts Doctor Foster spin-off, Life, as the sister of Victoria Hamiltons Belle. Her character Ruth, who had borderline personality disorder and was in and out of psychiatric hospitals, was an impish but troubling presence in her siblings disappointing life.
Of all her now many renowned co-stars, Fielding says she has never worked with someone who scrutinises every moment in every scene like Coogan. Hes so set on the truth of the situation, she says. Hes never just playing the scene for laughs. A lot of people think we improvise but every look, grunt, sigh, beat is decided ahead of time. Even how long our wait is for reacting to each other or what kind of a laugh Ill do. Its all sculpted very, very meticulously.
Fielding and Coogan sometimes take the same scene as many as 20 times and their lines are being rewritten up to the 11th hour. Does it hurt to smile for so long? My cheeks do ache at the end of the day, she says. You work up your cheek muscles. Jennie would probably win some award for that. Im sure Partridge wouldnt be able to contain himself if she won the Best Cheeks Award.
Grin and bear it: Fielding and Coogan on the set of This Time
Much of the show is filmed in the BBCs headquarters in London. It must have felt mischievous, mocking the corporation from within its own walls. All power to any organisation thats willing to poke fun at itself, says Fielding. Mostly BBC presenters just really love it because theyre seeing their world reflected on screen. It does feel a bit naughty but weve depicted it quite accurately and people are more worried about what I might be watching to pick up and copy.
Series two sees Partridge becoming discombobulated when the show gets a fresh, young new producer. He worries hes a dinosaur whos on his way out. Greshams response, says Fielding, is a little bit cleverer, as you might expect.
Next up, Fielding is starring in another TV comedy. It will be quite a relaxing experience in comparison, she says. Not in the dark in a studio in November during a lockdown… but hey, no mud no lotus, as they say in the Buddhist world.
This Time with Alan Partridge series two begins on Friday 30 April at 9.30pm on BBC One